|
|
Although artistic display has clearly been a function of jewellery from the very beginning, the other roles described above tended to take primacy. It was only in the late 19th century, with the work of such masters as Peter Carl Faberge and Rene Lalique, that art began to take primacy over function and wealth. This trend has continued into modern times, expanded upon by artists such as Robert Lee Morris and Ed Levin.
|
 |
| |
| |
|
|
|
Amber: Amber, an ancient organic gemstone, is composed of tree resin that has hardened over time. The stone must be at least 1 million years old to be classified as amber, and some amber can be up to 120 million years old.
|
 |
| |
| |
|
|
|
Materials and methods:In creating jewellery, gemstones, coins, or other precious items are often used, and they are typically set into precious metals. Alloys of nearly every metal known have been encountered in jewellery -- bronze, for example, was common in Roman times. Modern fine jewellery usually includes gold, white gold, platinum, palladium, titanium or silver.
|
 |
| |
| |
|
|
|
Amethyst: Amethyst has historically been the most prized gemstone in the quartz family. It is treasured for its purple hue, which can range in tone from light to dark. Emerald: Emeralds are one of the three main precious gemstones (along with rubies and sapphires) and are known for their fine green to bluish green colour. They have been treasured throughout history, and some historians report that the Egyptians mined emerald as early as 3500 BC.
|
 |
| |
| |
|
|
|
Brushed finishes give the jewellery a textured look, and are created by brushing a material (similar to sandpaper) against the metal, leaving 'brush strokes'. Hammered finishes are typically created by using a soft, rounded hammer and hammering the jewellery to give it a wavy texture.
|
 |
| |
| |
|
|
|
Conversely, the jewellery industry in the early 20th century launched a campaign to popularize wedding rings for men — which caught on — as well as engagement rings for men - which did not, going so far as to create a false history and claim that the practice had Medieval roots.
|
 |
| |
| |
|
|
|
Most American and European gold jewellery is made of an alloy of gold, the purity of which is stated in karats, indicated by a number followed by the letter K. American gold jewellery must be of at least 10K purity (41.7% pure gold), (though in England the number is 9K (37.5% pure gold) and is typically found up to 18K (75% pure gold). Higher purity levels are less common with alloys at 22 K (91.6% pure gold), and 24 K (99.9% pure gold) being considered too soft for jewellery use in America and Europe.
|
 |
| |
| |
|
|
|
Most American and European gold jewellery is made of an alloy of gold, the purity of which is stated in karats, indicated by a number followed by the letter K. American gold jewellery must be of at least 10K purity (41.7% pure gold), (though in England the number is 9K (37.5% pure gold) and is typically found up to 18K (75% pure gold). Higher purity levels are less common with alloys at 22 K (91.6% pure gold), and 24 K (99.9% pure gold) being considered too soft for jewellery use in America and Europe.
|
 |
| |
| |
|